Building on a five-year tradition of inspiring artistic and intellectual talents to propagate the true spirit of photography and highlight its crucial role in the creation of a culture, as well as giving recognition to innovators worldwide, HIPA resumes its journey with you today to declare “Challenge” as the main theme category for the Sixth Edition of the Awards. This choice of category is meant to provoke photographers’ inner thoughts and life impressions in search for the visuals that give expression to the meaning of challenge as they understand it from their own experience, and the individuality through which they treat it through the lens of a camera.
You may have noticed that HIPA this year is adding a new tone to its outlook, which is ushering in a new stage in its journey towards photographic endeavour, in pursuit of added knowledge and skills for further advancement of its global audience in 193 countries.
Following the easy flowing, heart warming theme of Happiness, we now hear a strong call in the “challenge” theme, which seeks to mobilise our mental skills, visual memory and creative power to produce powerful and effective visual expressions that go beyond the single photo format, into a sequence of photos that is completely different in nature and requirements from the single photo, and that make the photographer truly a story teller. This is the Photo Feature category.
Furthermore, in recognition of the great technological leap that has allowed photographers to develop new skillsets in the editing and manipulation of photographs, HIPA has opened the door wide open for photographers’ imagination through the launch of the Digital Manipulation category. Finally, the General Category will continue to be a space for pure creative photography that breaks all formats and norms, offering photographers the opportunity to freely sail on their own journey of discovery where no one else has been – whether in black and white or coloured photography.
Thus, creativity and innovation are open to you on different platforms, and wherever your talent lies you have the opportunity to create a work of art you can truly be proud of.
Photographers are very familiar with the challenges faced in their line of work. They often have to deal with challenges in order to be able to capture the right image at the right moment and deliver the intended message or provoke the right feelings. However, this category is about conveying the theme of challenge in a clear manner either in the way the photograph was shot or in its content and subject matter. The scope is quite wide; the challenge could be shown in the composition of the picture, the arrangement of its elements, sequence, the lighting, or in expressing the odd and unusual (without digital manipulation). It can be in capturing a fleeting moment that may never pass again, or in delivering a piece of information or situation that is quite hard for most people to do. Don’t limit your mind to what the challenge may be; seek it and capture it.
This category remains as attractive as ever for photographers who have an outstanding eye for photography that doesn’t necessarily fall into any of the other categories. Year after year, this category has gained quality and diversity, with a constant share of about a third of all entries registered in HIPA. Accordingly, HIPA has widened the scope for this category and will offer participants two opportunities instead of one; thus dividing it into two sub-categories: One for Black and White entries, to give deserved substance to this classic art form, and the other is for Coloured entries, giving participants the option to dazzle the jury and viewers with their colours.
This category invites photographers to convince the jury of their photographic talents and skills combined with their knowledge in a particular topic or theme of their choice by telling a story through photographs. The challenge here lies in imagining the desired setting of the photographs before capturing them in separate frames that would tell the story on their behalf.
The Portfolio category is an innovative addition to HIPA which no doubt breaks the barrier(s) of the single photograph and the single moment, and allows for the planning and execution of a story from various different angles and perspectives with differing or contrasting moments. This is a unique core challenge for HIPA in its sixth edition. Take up the challenge!
Digital manipulation of photography has reached unprecedented highs that could never have been dreamt of before. In fact, it has arguably become an art form of its own.
Therefore in recognition of this art, HIPA is giving creative photographers with digital skills the opportunity to deliver an out-of-this-world image that is both convincing and realistic; a mind-blowing image from the realms of fantasy that challenges human perception with its apparent reality.
We invite all creative photographers to let their imaginations loose by taking real photos and digitally manipulating them to unreal levels of art, beauty and thought provocation.
This category will no doubt usher in a high level of competitiveness in creativity and digital skills... The sky is the limit.
There are many passionate people within the photography industry who are dedicated and relentless in their pursuit for excellence. These people offer their services and expertise without expecting a return on their efforts and therefore form a vital part of the photographic community.
The ‘Photography Appreciation Award’ is a special category for a person or group who has shown long-standing commitment to enhancing the art of photography. By awarding the recipient, HIPA hopes to give back a small amount of the respect and appreciation they deserve.
Research requires an unprecedented commitment of time and effort towards a particular field of study. It is invaluable in helping mankind create the future and advance knowledge and capabilities.
The Hamdan International Photography Award aims to enhance the ever-developing research field within photography by introducing the ‘Photographic Research/Report Award’.
The Award will celebrate research that reflects excellence in the field of photography. This strengthens the strategic goal of the award, which to develop the art of photography for the entire photographic community.
*Participants may enter these two special awards by invitation only.
All the Prize money will be in US Dollars
This contest is not sponsored, endorsed, or administered by Apple Inc. The participants understand that they are providing information to HIPA and not to Apple Inc. Any questions, comments, or complaints regarding the contest should be directed to HIPA and not to Apple Inc.
A girl searching for recyclable items in a landfill in Guwahati, India. A small community lives inside this landfill . They work as a team, some barefooted, sorting through mountains of garbage for less than $2 a day. They share this landfill with the endangered stork called; the greater adjutant along with some cows and dogs. The garbage is stacked very high and is very unpredictable, the ground beneath their feet can collapse suddenly. The stench and the fumes from the garbage are strong and heavy, there are animal feces everywhere and worms swimming throughout this ocean of trash. Their homes have no electricity and no running water, and they live in an extremely unhealthy environment, with very little chance of finding a way out.
The shoot this photo at the Italian championships parolimpico swimming. This boy is the Italian champion of the 200 meters mixed
This was taken on the 4th day of a 12 days winter trip to Hungary, staying 12 hours in a hide watching non stopping fights sessions between white-tailed eagles over food, but crows are smarter waiting for the best moment to steal it a moment of action and drama. Its loaded with aggression, the power of the adult eagle of the juvenile
This is where many babies are being raised. In Jordan and near the syrian borders I visited a small refugee camp where several syrian families took refuge. It was the worst refugee camp I ever visited, the place was like a junk yard while all tents were torn. I didnt meet adults as they all left the camp looking for jobs. It was amayzing how this little girl is taking care of her baby sister. Refugees live in such a place only when humanity dies
Children with canser diagnosis, beeing exposed under chemotherapy in the local clinic. Russia, Novosibirsk. Every day for them and their parents is a challenge. But kids always stay kids - smiling, and playing around.
A small ant in balance looking for a bit 'of water sympathetic position taking a unique moment
Dragonfly in bokeh delirium is one extraordinary photo i have recently made with my 'new' vintage Trioplan lens. Dragonfly was still sleeping covered with morning dew, full of small water drops. The background is dew on surrounding plants so it looks very special considering lens that can produce this kind of background blur in highlighted area, like soap bubbles.
Container port from above
An woman trying to get past others to get her bit of "holy prasad" a ritual celebrated in rural Bengal , India..
„Peace Village International“ was established on July 6th, 1967 as a citizen's initiative to help children in areas of war and crisis. The innocent victims of war deserve immediate help, unfettered by "red tape." As services have expanded since the village's founding, the children have remained the focus. However, in addition to medical services and rehabilitation offered in Europe, „Peace Village“ offers medical help in the children's home-countries. For many young victims of war and crisis situations, medical treatment in Europe is often their last chance for survival. „Peace Village International“ provides medical treatment to sick and wounded children who can no longer be cared for in their native countries. The children come to Germany to be treated in European clinics and hospitals. After that, the children are brought to the premises of „Peace Village“, located in Oberhausen, Germany for a rehabilitation program including time for sports, play and recreation. Upon successful medical treatment and rehabilitation, the children return to their native countries and families.
This picture was taken in July 2016 during my photography trip for an old woman sadness from Apatani tribe in Ziro that located in Arunachal Pradesh(North east of India). Her age around 85 years and she was living alone at house with no one support her.
“(1)Two chairs, only two chairs to remember those afternoons, two chairs to remember that at the bottom of us there is nothing left”. “(2)I miss you doing the simple gesture of a touch, I miss you in a missed smile, I miss you in the silence of your voice: I’m writing about you, I leave to my fingers on this piano the task to speak to my heart to say I miss you”. How could your heart fade when mine burns more every day, how could you stop thinking me… I miss you”. “(3)So many times I asked myself why did you find me, have I maybe been a whim? Exchanged for game, caught and left, maybe one day you’ll understand the meaning of that tear that, without too much sweetness, you wiped from my face. Now I miss also that arid gesture, now I miss you, your heart ever lacked of love: now I pray for you, because maybe you have been much victim than me”. “(4) If your heart will stop loving, no image will succeed representing such poverty. Don’t blow out your emotions, love without asking something in return for… let your emotions to ripple your skin like a sea in the storm. Love and let the others love you”. “(5)Through the silence that wrap myself, there is a wonderful bridge between me and what I don’t know, so big that I only hope to experience the most but I won’t never see the other side, independently of how long I can live”. “(6)Door after door, you won’t stop my way. Door after door, I’ll lick my wounds. Door after door, I won’t ask you favors. Door after door, friends will be the same that I’ll have when I won’t be able to open those doors. Door after door, this will be the difference among us, then you’ll be only able to lick your wounds”. “(7-8-9-10) There are periods of the life in which silences prevail over the reason, those silences force you to express thoughts everywhere, it’s not true that we get used to everything, it’s not true that time is always the therapy, it’s not true that we can move on everything, only memories thought in the silence succeed to give that sigh of relief that is the care of the soul”. Every phrase is linked to an image.
Fish stocks are crashing all over the world, threatening the livelihood of countless poor fishing communities. This is no doubt the result of an insatiable -and unsustainable- appetite for cheap animal proteins on the part of a booming world population, which is fed by flotillas of modern ships. This phenomena, coupled with a slow rise in sea levels, will almost certainly have dramatic consequences on poor coastal communities worldwide in the next 20 years, forcing many to abandon the shores and to move into urban areas. These changes will not simply concern fishing communities, but also sea farmers, salt miners and guano collectors. Millions of people will be affected. We will also witness an important loss in traditional knowledges, as these poor coastal communities were often the last ones to practice sustainable methods of harvesting or fishing. For the past 18 months now, I have been documenting these changes. So far my work has focused on the Swahili Coast, and this portfolio (Six degrees south) is a condensate of the work i have done so far. But my intention is to look at all five continents, from Vietnam to Peru and from Senegal to Vanuatu. It is therefore very important for me to have this work shown, in order to raise interest and to obtain the necessary backing I will need to carry this project. Up until now this project has been completely self-financed. PLEASE NOTE THAT I COULD NOT SEND THE RAW FILES, AS THEY ARE 80 MB EACH AND THE SYSTEMS HERE IN TANZANIA WON'T ALLOW THAT. IF YOU NEED THEM PLEASE LET ME KNOW AND I WILL SEND THEM VIA WETRANSFER. CAPTIONS 1. Armed with nets, these men enter the sea at the start of a day of fishing. They will stay there for hours, with water up to their necks but with no guarantee of a catch. Fish stocks are crashing all over the world, threatening the livelihood of countless fishing communities. This, coupled with a slow rise in sea levels, will have dramatic consequences on coastal communities worldwide, forcing many to abandon the coastal areas and to move into cities. 2. Each morning in the port of Kilwa, when the big boats return from a night at sea, hundreds of buyers rush to the water to try to buy the catch of the day. The lucky ones will leave with a basket full of fish, like the man who can be seen in the center of the image. 3. With the gradual depletion of fish along the Swahili Coast, the coastal communities have begun to take species of fish they once neglected, because then their meat was not considered good to eat. This is the case of all species of rays, such as the ones pictured here. Again this must be seen as a worrying sign of environmental degradation. 4. A woman looks for clams at low tide, somewhere north of Mombasa on the Kenyan coast. Coastal communities from East Africa still largely depend on sea ressources for a living, and all, women and children included, are involved in scraping a living off the sea. 5. On Mafia Island, on the Western shores of the Indian Ocean, a lone fisherman pulls hard on a long net in the hopes of taking some fish. But fish has become very scarce everywhere, and often long hours spent working under the sun yield very little or even nothing. I knew this man for having photographed him several times, and I never saw him take fish for more than 2 or 3 €, despite his diligent efforts. 6. This large grouper is now on its way to the fish market, where it will be promptly cut and sold. A sign of the times, medium sized groupers such as this one have now become relatively rare, when only 10 years ago they were commonplace. 7. The small fish are systematically fried before they are sold. This is because it will improve their preservation and facilitate their transport (indeed fish is now shipped as far as the Congo and Zambia). They are brought to special places where large oil pans are placed on fires on the ground. These open kitchens, with their many fires and the acrid smoke, can feel unbearably hot and be suffocating. 8. With nets that drag behind them like wedding dresses, these men seem to have espoused the sea ... And in a way they have, as their fate is intimately linked to that of the coast. 9. It is mostly women who fish for shrimps, an exhausting activity. I had spent two hours photographing this woman while she scraped the sandy bottoms early in the morning, yet she had only caught a few handfuls of shrimps. 10. A woman and a man in search of shrimp scrape the bottom of the ocean under a threatening sky. This dark stormy sky to me is a visual metaphor, heralding the serious dangers that the coastal communities of the world will face if nothing is done quickly to mitigate the impact of over-fishing and environmental degradation.
Underwater photography fashion and portrait
16-year-old Yakuba emerges from a 50-meter deep hole after another gruelling 14- hour work day underneath the panorama of western Burkina Faso. Last year, his uncle and two of his friends died when a nearby mine collapsed. News? Not at all. In this part of Burkina Faso, this is just another day at the "office" for the miners. Burkina Faso is one of the poorest countries in the world, yet ranks fourth in Africa's production of gold. Much of the gold comes from small-scale mines, where children work alongside their parents from dawn to dusk. They only get paid for the amount of gold they find, and sometimes they won't make any money for weeks, even months. The work is hazardous. Mines collapse frequently, and the working environment is intoxicated with dangerous chemicals like mercury, used in the process of extracting gold. Unfortunately, there is no gold for Yakuba and his team today. Sometimes it can take up to two weeks to find just the equivalent amount of gold used in one smartphone. Thousands of Burkina Faso's youths live and work on these sites. Most of them have never been to school. For many of them, the mines are their only home. The International Labor Organisation considers mining one of the worst forms of child labor due to the immediate risks and long-term health problems it poses with exposure to dust, toxic chemicals, and heavy metals—on top of back-breaking manual labor. Men, women, and children dig the mines by hand, and while there are always ropes for the buckets of ore, there are not always ropes available for the boys who scrabble up and down the pits. Finding footholds and handholds in the dirt walls is not a given — but losing your grip can prove fatal. 13-year-old Nuru cannot recall how long he has worked in the mines. He has never been to school and does not know how to read or write. He believes that mining is still better than working on the fields back home where "you farm the land, but don't earn anything." Government-approved dealers undoubtedly turn a blind eye to the children of the mines who suffer and die dreaming of their very own "El Dorado" for the sake of our smartphones.
The following is a set of portraits of the Wenchuan Earthquake survivors. A major earthquake measuring 8.0 on the Richter scale jolted China's Sichuan Province May 12, 2008, killing over 87,000 people and injuring about 37,000. The photographer rushed to the quake zone and took some photos of disaster scenes and affected people. One year later, the photographer went there again to re-visit those people, and another five years later, again. Let's see whether time changes a person and heals the wound.
Since ancient times, many believed that the world we live in resembles a single vessel which has both a soul and an intellect; an entity which itself is alive and is composed of other components (both living & lifeless) that are instinctively and existentially inter-related and share common characteristics. Following this school of thought and similar propositions, symbols of nature and or the earth were created, most of which embodied human appearances, a pregnant woman who is the creator of all the elements of the entire world. Nevertheless, since the majority of human beings have lost their innate connection with nature and are destroying it, envisaging a humanistic symbol for this topic does not seem valid any longer. In this image, I have created symbols which are a harmonic combination of a variety of plants and animals, representing fertility, continuity and unity depicting Mother Nature
Neither the river nor the time can not stop. Time - is a mirage, it is reduced in moments of happiness and stretched into hours of suffering. Aldington R. Ovid
Mobile phone use while driving is common, but it is widely considered dangerous due to its potential for causing distracted driving and accidents. , as cell phone technology developed, and smartphone usage increased, cell phones can also be used to read or type text messages, surf the Internet and view videos. Activities such as texting while driving can also increase the risk of an accident.
she carries inside her alot of memories like passe blossoms, some dreams remember them with fully resignedly ,colored becuse she still remember but some of them flower wilted like there painful impact inside her infactwe all have This combination with good and bad memories that's make us who we are now , now when we just "grow up " in this self- portrairt I've tried to Blurs the Line Between Photography and Painting With its passe background and deep textures, i Dressed in a simple blue dress, and sit with a boquet of roses, ensconced by a stream of soft light. the post-processing highlights her and flowers that appears to have its origins in the 18th century
Mated to children at an early age. Spiritual depression. Internal resistance and comfort. don't fight the negativity and the rest of your life.